XMedia Recode is an all-in-one video and audio converter that transcodes, remuxes, and lightly edits media files. It handles mainstream containers and codecs, applies device-specific output profiles, and processes whole folders of clips in a single batch job.
XMedia Recode is a media converter that transcodes video and audio between the common containers and codecs people actually encounter — MP4, MKV, AVI, MOV, WebM, WMV, MP3, AAC, FLAC, and more — while also performing light editing along the way. The workflow is straightforward: you load source files or an unprotected DVD or Blu-ray structure, pick a target format or a ready-made device profile, adjust codec, resolution, bitrate, subtitle, and chapter settings on tabbed panels, preview the result, then add the job to a queue that runs the conversions in sequence. Because the same interface handles container remuxing, audio extraction, and filtering, it replaces several narrow utilities with one predictable pipeline for shrinking archives, retargeting footage for phones and TVs, or standardizing mixed collections.
Where a general-purpose editor stops at a single clip, XMedia Recode is built for volume. Its queue accepts long lists of files, remembers the encoding settings you assigned to each one, and works through them unattended, which suits librarians converting a season of episodes overnight. Direct stream copy is the other practical lever: when only the container is wrong, the audio and video streams are rewritten into the new format without re-encoding, so an MKV becomes an MP4 in moments with no quality loss. Users often pair it with MakeMKV, ripping a disc to a Matroska file first and then transcoding that file into smaller, device-friendly output.
The payoff of XMedia Recode is speed with control: hardware encoders from Intel, NVIDIA, and AMD do the heavy lifting, so long transcodes finish far sooner than pure software encoding, while every stream stays individually configurable. One interface covers format changes, resolution scaling, cropping, deinterlacing, denoising, color work, subtitle handling, chapter editing, and tag maintenance, which means fewer tools installed and fewer handoffs between them. Device profiles remove the guesswork when the target is a phone, tablet, console, TV, or a web page, since the awkward codec and bitrate combinations are already assembled. The queue makes large jobs painless — set the parameters once per file, then let the batch run. Direct stream copy preserves quality when re-encoding is unnecessary, audio can be stripped out as MP3 or M4A in the same pass, and DVD or Blu-ray chapter markers carry over automatically so finished files keep sensible navigation. Few converters combine that breadth with this much granularity.
Key capabilities and highlights.
XMedia Recode reads and writes most containers and codecs in everyday use, including MP4, MKV, AVI, MOV, WebM, WMV, FLV, TS, and 3GP for video, plus MP3, AAC, FLAC, AC3, OGG, WMA, and M4A for audio. That breadth means mismatched files rarely need a second program; you can convert, remux, or re-encode whatever a camera, download, or disc handed you into a format your player accepts.
Conversion can be handed to the graphics processor through Intel Quick Sync, NVIDIA NVENC and CUDA, or AMD AMF, covering H.264, HEVC, AV1, VP9, and MPEG-2 where the hardware supports them. GPU encoding shortens long jobs dramatically and leaves the processor free for other work, which matters when you are transcoding hours of footage rather than a single clip.
When the contents are already correct and only the wrapper is wrong, direct stream copy moves the original audio and video streams into a new container without re-encoding a single frame. The result arrives in seconds, stays identical in quality, and is the fastest route for turning an MKV into an MP4 or repackaging a transport stream.
Predefined profiles in XMedia Recode bundle the codec, resolution, frame rate, and bitrate combinations suited to specific hardware and services — phones and tablets from major manufacturers, game consoles, media players, and HTML5 output for the web. Choosing one replaces a page of manual settings, so beginners get a working file immediately while advanced users keep full control over each value.
Up to 32 subtitle tracks can be carried into an output file, with SRT, ASS, and SSA files accepted directly, embedded subtitles extracted or converted, and text rendered permanently onto the picture when burn-in is wanted. Positioning, font, and timing options make the difference between subtitles a player refuses to show and captions that display correctly everywhere.
A library of filters handles the repairs and adjustments that conversions often reveal: cropping, rotation, resizing, deinterlacing, denoising, sharpening, image stabilization, color correction, 3D LUT loading, logo removal, watermarking, and fade in or fade out. Applying them during the transcode avoids an extra generation of quality loss and a separate editing pass.
Audio can be tuned with an 18-band equalizer, volume correction for normalizing loudness, fades, tempo changes, echo, chorus, and vibrato, or pulled out of a video entirely as MP3, M4A, or another audio format. ID3 tags and album artwork can be edited in the same session, which is convenient when rebuilding a music library from video sources.
Jobs accumulate in a queue where each file keeps its own settings and then run unattended, so hundreds of clips convert without supervision. A dedicated chapter editor creates or imports chapter markers, and navigation points stored on an unprotected DVD or Blu-ray are carried across automatically, preserving skip-to-scene behavior in the finished file.
Browse historical releases and previous builds.
Common questions about XMedia Recode.
XMedia Recode converts video and audio between formats and containers, performs light editing such as cropping, resizing, deinterlacing, and color correction, extracts soundtracks, manages subtitles and chapters, and processes many files at once through a batch queue. Typical uses include shrinking a media library, preparing files for a phone or television, and repackaging MKV files as MP4.
No. It can only convert unprotected discs and disc structures that are already readable on the computer. Commercially pressed, encrypted discs must be decrypted with a separate tool first; once you have an unprotected file, this converter can transcode it, apply filters, and transfer its chapter information into the output.
Yes, through direct stream copy. When the audio and video codecs already match what the target container expects, the streams are copied unchanged into the new container, so an MKV can become an MP4 in seconds with no quality loss. Re-encoding is only required when you change the codec, resolution, or other encoding parameters.
Select a hardware encoder instead of the software one. Intel Quick Sync, NVIDIA NVENC and CUDA, and AMD AMF are supported where the graphics hardware provides them, and they typically cut encoding time substantially while using less power. Hardware encoders trade a small amount of compression efficiency for that speed, so use software encoding when the smallest possible file matters most.
Yes. You can import external subtitle files, add multiple tracks to an output, convert between text subtitle formats, extract subtitles from an existing file, or burn them permanently into the picture using the subtitle rendering filter. Subtitle positioning and font settings are configurable, and burned-in text appears even on players that ignore subtitle tracks.
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